Moviate Underground Film Festival Flesh CityDATE: Sunday, May 26th @ 9:00pm

VENUE: Midtown Cinema

FLESH CITY A New Feature by Thorsten Fleisch

Plus bonus short films: 720 Deal & Skjemt Blod

Description:
FLESH CITY is a hostile place but it has great clubs... where not only beats are pulsating. In one of these dance temples, located at an abandoned industrial site, Vyren hooks up with Loquette. They explore the underbelly of the venue and fall into the trap of Prof. Yagov, the resident mad scientist who preys on lost and drugged out fashion victims.
As he introduces them to mutation and mayhem the whole city gets infected.
Soon everybody in FLESH CITY will be connected... via flesh link. FLESH CITY is a Trojan horse of a film. It starts as a genre movie but slowly derails into manipulating the audience's mind. You come to realize that you yourself are the real victim of the film's mysterious mad scientist character. After the visually intense finale one can only wonder as to what extent your brain has been altered and for what purpose. It's hard to shake off the feeling of having been brainwashed.”

Showing with Short Films:

720 Deal
A film by Gary Adlestein & Jerry Orr

Skjemt Blod
A Film by Gwenmarie White

In her CalArts thesis, SKJEMT BLOD (which translates to “bad blood” or “tainted blood” in Norwegian), Gwenmarie White uses what she has coined “girl kvlture” as a vehicle for meditation on American brutality. The orchestral black metal adaptation of Taylor Swift’s “Bad Blood” takes advantage of the tension between the sounds and images of pop culture and metal culture to call attention to larger aspects of violence and pleasure. “My goal is to always straddle the line between critique and complicity,” says White, “because it is a critique…but it’s also a love letter.” The line in SKJEMT BLOD is always moving, digging stubbornly and disturbingly deeper into tropes and stereotypes rather than dismantling them. Suburban whiteness rears its ugly (but also, like, really, really
pretty) head, proving that “trve” brutality takes many forms, and moves with an insidious ease throughout the institutions of late-stage capitalism.

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